
vogue living
My post the other day on a room by Philip Gorrivan got me thinking about using giant photographs instead of paintings. Photographs (they don’t have to be original, a print of a photo would do) bring a modern element into rooms where the furnishings are otherwise classic.

lonny
In that way they are like abstract paintings, but also more interesting because they are of people or scenes that we recognise and that can really set the mood for a room (though of course abstract paintings can also set a mood). As a budget-friendly option I like the idea of taking a quirky family photo and having it blown up and stretched onto a big canvas.

brad ford
Beach shots – taken from far enough away that you just see the colour and shapes but so that the people are unrecognisable – look particularly great.

rineke dijkstra
Are you feeling brave? You could try this one (above) at home!

weiss palmer
I love the 60s vibe of the photograph above, the way the suburban theme suits the banquette-style seating, and how the yellow and green is picked up in the photo. The citrus colours – lime green and yellow ikat – are an updated version of what many of us remember from childhood.

lonny
This photo taken through a lace curtain (above) is beautiful! So serene yet it has an air of mystery too.

elle decor
The giant black and white shot of a packed train platform in Ellen Pompeo’s kitchen lends an industrial edge that suits the space (above).

eric cohler
Ok, so this one may be a painting, not a photograph (above, in a room by Eric Cohler). The yellow doesn’t match anything else in the room, so it stands out, and the colour looks great paired with blue walls and a black-and-white chequered floor.

steven gambrel
Another beach shot in a room by Steven Gambrel. The subtle blue and yellow in the rug and cushion is picked up in the photograph.

vogue living
A fantastically composed (in my completely ameteur opinion!) black and white photo hangs above a fireplace in Catherine Martin’s Sydney house.